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Remember Me Baby: Cameo Parkway Vocal Groups Vol. 1

There are collectors…and then there are ‘doo wop’ collectors, which is why we have dedicated our first Cameo Parkway compilation to the fantastic vocal groups who recorded for the label. All of these (except the Rays track and the two Roommates tracks, which we HAD to include) are from the original tapes, and only one track (the Lydells’ ‘There Goes the Boy’, which again we felt was a must) has ever been out on CD at retail before. 24 tracks…on your marks, doo wop fans!

It’s Pony Time/Let’s Twist Again

Two albums from the height of the Chubby Checker twist phenomenon! Chubby just flat-out ‘ruled’ the charts in 1960 and 1961; the title cut to ‘It’s Pony Time’ went to #1, his only #1 hit besides ‘The Twist’, while ‘Let’s Twist Again’, his fourth album, went to #11, shortly to be followed by three Top Ten albums in a row.

Bobby Rydell Salutes the Great Ones/Rydell at the Copa

These two 1961 albums (presented here in their original stereo mixes) represented an effort by Bobby to move beyond the limitations of his teen idol persona. By recording a live album at the Copa, Bobby was following a well-trodden trail left by other pop male vocalists like Bobby Darin and Paul Anka, and “The Great Ones” in the title of the first record refers to the songs from The Great American Songbook that he covers on the album.

Rawhide’s Clint Eastwood Sings Cowboy Favorites

Clint Eastwood? ‘That’ Clint Eastwood?! Well, sure…Clint has demonstrated a musical streak throughout his acting and directing career, and here you catch him right at the beginning of it, fresh from his success on the TV series ‘Rawhide’, crooning (and quite competently so) a collection of cowboy favorites! We have added both sides of his 1962 single ‘Rowdy’ b/w ‘Cowboy Wedding Song’, to the complete 1963 release. Also includes ‘Bouquet of Roses; Along the Santa Fe Trail; The Last Round Up; Sierra, Nevada; Mexacali Rose; Searching for Somewhere; I’ll Love You More; Tumbling Tumbleweeds; Twilight on the Trail; San Antonio Rose; Don’t Fence Me In’, and ‘Are You Satisfied’.

The Wah-Watusi/South Street

Discovered by high school classmate Len Barry, the Orlons (Shirley Brickley, Marlena Davis, Rosetta Hightower and Stephen Caldwell) were probably Cameo Parkway’s most popular vocal group and certainly the label’s top girl group. This twofer presents their only two charting albums, their 1962 debut ‘The Wah-Watusi’ and 1963’s ‘South Street’—both featuring Top 5 title tracks—in their original pristine mono, with notes by Gene Sculatti that include great quotes from band member Caldwell (he of that ultra-low “frog” voice)! Includes ‘Dedicated to the One I Love; Tonight; Mashed Potato Time; The Plea; Gravy (for My Mashed Potatoes); I’ll Be True; The Wah-Watusi; He’s Gone; Let Me In; Over the Mountain, Across the Sea; I Met Him on a Sunday; (Happy Birthday) Mr. Twenty-One; Walk Right In; Big Daddy; Cement Mixer; Mister Sandman; Charlie Brown; Gather ‘Round; South Street; Between 18th & 19th on Chestnut Street; Don’t Let Go; Muskrat Ramble; Pokey Lou’, and ‘We Got Love’.

Terry Knight and the Pack/Reflections

This is the first of a number of releases we’re planning that will demonstrate that Cameo Parkway (actually, these records came out on its Lucky Eleven subsidiary) recorded much more than the pop-rock and R&B it’s best known for. Terry Knight & the Pack were a garage band out of Flint, Michigan that had a number of regional Midwestern hits but never broke nationally, and would probably be destined for eternal if undeserved obscurity but for one thing: this is the band that gave Mark Farner and Don Brewer of Grand Funk Railroad their start! Liner note writer Jeff Tamarkin tells the story while you dig the fuzz-laced sounds of ‘Numbers; What’s on Your Mind; Where D You Go; You’re a Better Man Than I; Lovin’ Kind; The Shut-In; Got Love; A Change on the Way; Lady Jane; Sleep Talkin’; I’ve Been Told; I (Who Have Nothing); One Monkey Don’t Stop No Show; Love, Love, Love, Love; Come with Me; Got to Find My Baby; The Precious Time; Anybody’s Apple Tree; The Train; Dimestore Debutante; Dirty Lady; Love Goddess of the Sunset Strip; Forever and a Day’, and ‘(I Can’t Get No) Satisfaction’. The complete 1966 and 1967 releases!

The Holy Mountain (Original Motion Picture Soundtrack)

Following its debut screening in 1973 at the prestigious Cannes Film Festival, THE HOLY MOUNTAIN was deemed blasphemous by audiences due to its sacrilegious imagery and content. This never before released score was composed by Jodorowsky along with composer, arranger and conductor Ronald Frangipane and innovative jazz trumpeter Don Cherry. ABKCO meticulously restored the original analog master tapes of the soundtrack to high definition digital for this release.

Fantastic Mr. Fox – Additional Music From The Original Score By Alexandre Desplat – The Abbey Road Mixes

ABKCO Records is proud to announce the digital release of Alexandre Desplat’s score for Wes Anderson’s critically acclaimed animated feature FANTASTIC MR. FOX. Desplat’s score received a Best Original Score nomination for this year’s 82nd ACADEMY® AWARDS airing on March 7, 2010.

FANTASTIC MR. FOX is Desplat’s third Academy® Award nomination. His first was for his score for THE QUEEN (2007), followed by THE CURIOUS CASE OF BENJAMIN BUTTON (2008). The MR. FOX soundtrack also received a BAFTA Award nomination for Best Score as well as a 2009 Los Angeles Film Critics Association nomination for Best Music Score. Desplat’s work on the score for FANTASTIC MR. FOX was lauded by numerous critics, including the New York Times’ A.O. Scott who called it “eccentric and just right.”

Throughout Alexandre Desplat’s award-winning career, he has successfully managed to blend his eclectic musical influences of classical, jazz and soundtrack scores into a unique sound all his own. After composing the music for over 50 European films and receiving his first two prestigious Cesar Award nominations, Desplat hit the ground running in Hollywood in 2003 with his score for THE GIRL WITH THE PEARL EARRING, for which he received a Golden Globe nomination for Best Original Score.

That was just the beginning of Desplat’s awards onslaught. He is the recipient of a Silver Bear Award from the Berlin Film Festival, a total of four Cesar nominations (including a win), four BAFTA nominations, a total of four Golden Globe nominations (including his win for THE PAINTED VEIL), three World Soundtrack Awards and now, with the inclusion of FANTASTIC MR. FOX, a total of three Academy® Award nominations!

To date, Desplat’s body of work includes scores for such diverse films as BIRTH, SYRIANA, THE QUEEN, THE PAINTED VEIL, MR. MAGORIUM’S WONDER EMPORIUM, LUST CAUTION, THE GOLDEN COMPASS, COCO BEFORE CHANEL, A PROPHET, JULIE AND JULIA, THE GHOST WRITER and of course this year’s Academy® Award contender, FANTASTIC MR. FOX.

Randall Poster, Wes Anderson’s co-producer on the soundtrack concludes, “The Alexandre Desplat/Wes Anderson collaboration on FANTASTIC MR. FOX resulted in some of the most unique and compelling film music that I have ever heard. Working very closely, Alexandre and Wes created an incomparable musical element that renders the magical world of Roald Dahl inimitably. People were so enthralled and captivated by Desplat’s music that a second collection of pieces drawn from his FANTASTIC MR. FOX score was compiled and is now available.”